Monday, 7 July 2025

Wolf Like Lee:Stewart Lee vs The Man-Wulf.

"Suck my dick, lick my balls, and make me a fucking sandwich" - The Man-Wulf

Not so long ago, the comedian (and I use that word advisedly) Stewart Lee was off visiting some Neolithic site, probably a long barrow or some other burial mound, when he was suddenly shrouded in fog (or could it have been dry ice?) and fell foul to a vulpine bite which transformed him into a man-wulf. A werewolf comedian with his own special, or series of specials, on Netflix who is proudly unafraid of offending people and in fact bathes in the glory of saying what he deems to be the unsayable but is, in fact, not just the sayable but the very regularly said.

That's the premise of Stewart Lee's new show, Stewart Lee vs The Man-Wulf, and I went to see it last night at the Royal Festival Hall. I did not come away disappointed but I've never once yet come away from an experience with Stewart Lee feeling disappointed. Even when he let me get served before him at a House Of All gig in Highbury Garage a couple of years back.

Despite the tighter conceptual frame and the premise of the show, it is still very recognisably a Stewart Lee stand up routine. There are remarks about audience members being there who shouldn't really be there, there are critiques of the likes of Donald Trump, Elon Musk, Russell Brand, Ricky Gervais, Jimmy Carr, Bill Burr, moon faced Gregg Wallace, and Keir Starmer (a man who has made the move from 'boring' to 'evil' in twelve months), and there are acceptances that when recognised in public he is often confused for someone else. Be that Terry Christian, the singer out of UB40 (whoever that is these days), or the Bosnian Serb war criminal Ratko Mladic.

We're also treated to tales of Lee's winning performance on Celebrity Mastermind, tongue in cheek complaints about no longer being on television, knowing sideways digs about his former partner Richard Herring, a tribute of sorts to the late Irish comedian Dave Allen, and an impression of Bob Dylan that somehow manages to be both accurate and hilarious at the same time.

There are also brickbats aimed at the parlous state of global politics, the war on truth, JD Vance, Michael McIntyre's manager (some very dark humour on that subject), Liam Neeson's Taken series of revenge porn movies, Gaz Top (hard to work out what he was doing on a list of sexual predators and populist politicians, I know he's not in politics), and Coldplay's drummer (who, apparently, finds the whole experience so boring he doesn't even know he's in Coldplay anymore and, instead, thinks he's in an early iteration of Radiohead).

Should anyone be remotely interested the drummer of Coldplay is 46 year old Will Champion who comes from Southampton. There's a joke about Rod Hull using Emu's plastic beak as a device to cover up his public child molestation that's very funny despite the fact I've been making pretty much the exact same fucking joke for decades. Admittedly to my mates in the pub and not to paying audiences at the Royal Festival Hall but still. 

More topically, there's an amusing section about Baby Reindeer and sticking with the reindeer theme, Lee tells a chortlesome, if possibly apocryphal, story about discussing his "food journey" with an unnamed supermodel over a plate of reindeer penis. When he comments on the fact he doesn't usually hang out with supermodels, he quickly fixes his eyes on a specific member of the audience and informs them that even though he doesn't hang out with supermodels he's still more likely to do so than that "giggling cunt".

It sounded much funnier live, with Lee's delivery, than it does written down (by me) on a page but you'll have to take my word for it. It was hilarious and so was the section where he took Dave Chappelle apart (not for the first time) for not understanding the difference between a pronoun and a noun, and even the intentionally awkward audience interaction when a man was asked if he'd rather be a vampire or a werewolf. A vampire would be preferable because, apparently, they get a lot of sex.

Throughout the show Lee performs some fairly bad Irish dancing, wears a fake penis, crawls across the floor, adopts a frankly daft American accent, and pretends he's lost all faith in his material and even his ability as a stand up. We, the audience, lap it up. Of course. Last night Stewart Lee wasn't more funny than I had expected. He wasn't less funny either. He was exactly as funny. And that still puts him way above almost every other comedian. He knows that. We know that. So let's just enjoy it. And if you don't agree you know what you can do. Suck my dick, lick my balls, and make me a fucking gluten free quinoa crispbread based snack with an oat milk latte.


 

 

Friday, 4 July 2025

The Spruce Is Out:The Power Of Trees @ Kew Gardens.

Phew, what a scorcher!

Monday was hot hot hot! I was using up some leave from work and had decided to spend the day in the lovely, relaxing Kew Gardens. Ostensibly, to see The Power of Trees exhibition but perhaps more because it's quite simply a pleasant place to spend an afternoon. I visited the palm houses, looked at trees and plants, had a disappointing ice cream, and even fell asleep in the shade for a while.

But 'business' first. The Power of Trees is a selection of botanical art that is intended to offer a thoughtful reflection on trees - and their power. Although to be honest you can get that better just by walking round the gardens themselves. Or looking at a tree. Pretty much anywhere.

 
Phansakdi Chakkaphak - Japanese Pine Cone (2017)
 
That's not to say the art isn't good. Some of it is. Some of it not so much. I liked Phansakdi Chakkaphak's pine cones (I just like pine cones, who doesn't?) and Ingrid Finna's dense tropical looking snake branch spruce. Arundhati Vartak's work was pretty and decorative too. The 'cannonballs' in her cannonball tree named so because that tree's fruit resemble cannonballs.

 
Ingrid Finnan - Snake Branch Spruce (2018)

 
Kimyo Maruyama - Pinus palustris (2007)

 
Arundhati Vartak - Indian Coral Tree

 
Arundhati Vartak - Cannonball Tree or Kallashpati (1994)


 
Rory McEwen - Gingko Leaf East 61 Street New York (1980)

I learnt that the gingko biloba (originating in China) is one of the oldest living tree species in the world with fossils dating back over two hundred million years and I also found out the the magnolia is pretty old too. That dates back over one hundred million years and is the oldest known tree to bear flowers. 
 
You can learn a lot at The Power of Trees. How forests cover about a third of Earth's surface and store roughly 45% of the planet's carbon. Most humans living in extreme poverty rely on forests for food, firewood, and building materials and we ALL rely on trees and forests to keep us alive.There are no trees on Mars which is something hopefully Elon Musk has overlooked.
 
80% of the world's amphibians, 75% of birds, and 68% of mammals make their homes in forests. It's no wonder we find them such fascinating, awesome, and, sometimes, frightening, places. I love to visit forests but most people don't want to get stuck in one at night where every little sound has one wondering what sort of creature made that noise!

 
Brigid Edwards - Magnolia Leaves and Fruit

 
Kimyo Maruyama - Japanese Black Pine (2005)

 
Pearl Bostock - Sequoia sempervirens Coast redwood

 
Susan Conroy - Gingko biloba Maidenhair tree

 
Susan Conroy - Cuprocyparis leylandii Leyland cypress
 
 
The Bedgebury National Pinetum is located in Kent and has a celebrated collection of conifers including some three hundred year old English oak trees and some that date back to an ancient forest in the area once owned by a Beresford family who introduced exotic tree species to the forest - and to Britain - and thus changed the face of the entire landscape. It's always worth remembering that though trees are natural, the decisions of which ones to keep and which ones to fell - and where to plant new trees - is made by us humans. There are elements of the man-made even in the natural environment. 
 
Elja-Lilsa Ahtila's Vaaksuora-Horizontal is a full scale portrait of a living spruce tree which is being shown, for some reason, in a horizontal projection in Kew. The actual tree is in a park in Ahtila's home country of Finland. When you stand in the gallery looking at it you can hear the sounds of birds and the sound of the leaves blowing in the wind. Which, to be honest, you can do for real when you step outside the gallery.

 
Elja-Lilsa Ahtila - Vaaksuora-Horizontal (2011)

 
Elja-Lilsa Ahtila - Vaaksuora-Horizontal (2011)

 
William Richardson - Abies species (1870s)

 
William Richardson - Abies species (1870s)

 
Annie (Ann) Farrer - Cedrus atlantica (1990s)

 
Annie (Ann) Farrer - Juniperus communis (1990s)
 
When the exhibition isn't dwelling on spruce trees (or pine cones) it's pondering conifers. Ahtila has selected some favourites from Kew's collection for the show and then there's some stuff about trees and their role in art history. They've served as pure landscape detail, as national identifiers, metaphors, and other symbols. Van Gogh, Caspar David Friedrich, Constanble, and even Mondrian all enjoyed a good tree and all painted them.

Here there are realistic depictions of trees alongside faux-naif renderings and though they're all rather good none of them could, in truth, compete with nature itself so it wasn't long before I left the gallery and went to explore the gardens proper. I haven't written about that but there are lots of nice photos so you can envy my nice day in Kew Gardens. You could always join me next time.

 
Elja-Lilsa Ahtila - Anthropomorphic Exercises on Film:Conversation Edit 1 (2011)

 
Elja-Lilsa Ahtila - Anthropomorphic Exercises on Film:Aspect Ratio/Kneeling Space (2011)