"Beautiful places still have darkness"
The outskirts of Rochdale have never looked so gorgeous but some of the people put you off. When detective Ember Manning (Jenna Coleman) is sent to investigate an arson attack at a local holiday home she unlocks a world of criminality, grooming, underage sex, and, even, potentially, a portal into her own past. It's a job that might even destroy her.
That's the premise of The Jetty (BBC1/iPlayer, originally aired in July 2024, written and created by Cat Jones, and directed by Marialy Rivas) and it's one that works incredibly well in places and not so well in others. It's tense and claustrophobic but at times it drags and some of the dark twists, of which there are many, are over convoluted and, in one case, massively implausible.
Recently widowed, Ember is sleeping with a knife in her bed and that worries daughter Hannah (Ruby Stokes). Ember had Hannah as a teenager and at times they'd pass for sisters as easily as mother and daughter.
Miranda Ashby (Shannon Watson) is at the same school as Hannah and life has not been so kind to her. She's fallen pregnant underage to an unnamed, and likely much older, man and she's on the cusp of doing herself in. Sheena, Miranda's mum (Georgina Rich) isn't in the mood to help Ember and Ember isn't even supposed to be investigating Miranda's case in the first place.
What is it that has her so interested? Is it her concerns for Miranda, her worries about Hannah, or even her curiosity about her own life with husband Malachy (Tom Glynn-Carney) who we see mostly in flashback strumming an acoustic guitar and looking to all the world like the sort of dead end boyfriend most girls soon grow out of.
Not Ember it seems. Podcaster Riz (Weruche Opia) has taken an interest in the goings on in the area and she seems also to have woken Ember up to some uncomfortable truths after her own life. Riz (who "chases the darkness" for a living) believes Miranda has been raped and she also believes that Miranda is not the only one and that others are in danger. She's also researching the disappearance of schoolgirl Amy Knightly (Bo Bragason) some seventeen years ago.
Cue another flashback to the 2000s. Amy is the school rebel and Caitlin, or Kitty (Laura Marcus) is her shy and awkward friend. The two of them walk out of school together, drink alcohol together, take furtive steps into the sexual arena together (though Amy is far more experienced than Caitlin) and even wank off a horse for no specific reason other than the sheer naughtiness of doing so. We also see Amy snogging Malachy when he was a younger man and before he met Ember. Very close to the day she went missing in fact.
In a case that remains unresolved. As the investigation begins to bleed more and more into Ember's life she's not helped by her police colleagues and seniors. Sidekick Hitch (Archie Renaux) is immature and in with a bad lot himself (but when Ember describes him as "a puppy trying to do maths" it highlights the show's weakly humorous dialogue far better than it describes Hitch's character) and it's always good to see Ralph Ineson but his DI Morgan is a stock character whose only purpose seems to be to block, impede, and then grudgingly concede to Ember's supposed will power.
To either flesh out the story of further muddy the waters we have Hannah's unreliable boyfriend Troy (Ruaridh Mollica), Matthew McNulty as Arj, an old friend of both Malachy and Ember, David Ajala as Ember's new therapist and potential love interest Casey, and Elliot Cowan as Russell, Amy's angry and suspicious father. He's so angry and suspicious he's surely being served up as a red herring. There's also Amelia Bullmore as Ember's hippy mum, a 'medium' with dubious powers who once put magic mushrooms in a CupaSoup.
Against the backdrop of a picturesque lake, rolling hills, and some textbook canal scenery (check out Ember and Hannah's location) we're taken on a bumpy journey through a world of Japanese knotweed, spent condoms, a red Saab, and a sense of recovered trauma that also includes a paved garden you can't help wonder about, a moment when people rebel by listening to The Killers (really!?), and an incorrectly attributed Charles Darwin quote.
The Jetty tackles themes of sexism, grooming, and the age of consent and it also makes a few (somewhat blunt) points about rich outsiders moving into small rural communities and pricing the locals out but what it aims most hard for is to be a gripping drama that tackles personality and memory as much as it does crime. As with our memories, it succeeds up to a point but it doesn't quite come off. Beautiful places still have darkness - but they also have disappointment.




















































